{"id":7153,"date":"2021-03-05T07:15:34","date_gmt":"2021-03-05T07:15:34","guid":{"rendered":"https:\/\/theamericanfrenchfilmfestival.org\/?p=7153"},"modified":"2025-06-17T18:38:29","modified_gmt":"2025-06-17T18:38:29","slug":"cesar-et-rosalie","status":"publish","type":"post","link":"https:\/\/theamericanfrenchfilmfestival.org\/cesar-et-rosalie\/","title":{"rendered":"CESAR ET ROSALIE"},"content":{"rendered":"

\"\"CESAR ET ROSALIE<\/h2>\n


\n| 1972 \/ 2014 – 111′ – Classic – Digitally Restored –\u00a0 Romance\/Drama
\nWritten by Jean-Loup Dabadie.
\nDirected by\u00a0Claude Sautet.
\nStarring\u00a0Yves Montand,\u00a0Romy Schneider,\u00a0Sami Frey,\u00a0Bernard Le Coq,\u00a0Eva Maria Meineke,\u00a0Isabelle Huppert,\u00a0Gisela Hahn.
\nIn French with English subtitles.
\nA Film Movement Classics release.|<\/span><\/p>\n

 <\/p>\n

Sometimes two and two make three. Rosalie and David… Rosalie and C\u00e9sar… C\u00e9sar and David\u2026. After her marriage ends in divorce, the beautiful Rosalie (Romy Schneider) begins dating C\u00e9sar (Yves Montand), a wealthy playboy and businessman. But when her old flame, David (Sami Frey), unexpectedly re-enters her life, the two men simultaneously vie for her affections. One of Claude Sautet’s most celebrated films, C\u00c9SAR ET ROSALIE reunited the director with his on-screen muse Romy Schneider, who according to Roger Ebert’s Chicago Sun-Times review could \u201cmake a half-shy smile into the suggestion of unimaginable carnal possibilities.\u201d<\/span><\/em><\/p>\n

\u00a0NOT CURRENTLY AVAILABLE<\/h3>\n","protected":false},"excerpt":{"rendered":"

CESAR ET ROSALIE | 1972 \/ 2014 – 111′ – Classic – Digitally Restored –\u00a0 Romance\/Drama Written by Jean-Loup Dabadie. Directed by\u00a0Claude Sautet. Starring\u00a0Yves Montand,\u00a0Romy Schneider,\u00a0Sami Frey,\u00a0Bernard Le Coq,\u00a0Eva Maria Meineke,\u00a0Isabelle Huppert,\u00a0Gisela Hahn. In French with English subtitles. A Film Movement Classics release.|   Sometimes two and two make three. Rosalie and David… Rosalie and […]<\/p>\n","protected":false},"author":4,"featured_media":7154,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[24,11,45],"tags":[],"class_list":["post-7153","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-classic","category-drama","category-romance"],"_links":{"self":[{"href":"https:\/\/theamericanfrenchfilmfestival.org\/wp-json\/wp\/v2\/posts\/7153","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/theamericanfrenchfilmfestival.org\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/theamericanfrenchfilmfestival.org\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/theamericanfrenchfilmfestival.org\/wp-json\/wp\/v2\/users\/4"}],"replies":[{"embeddable":true,"href":"https:\/\/theamericanfrenchfilmfestival.org\/wp-json\/wp\/v2\/comments?post=7153"}],"version-history":[{"count":14,"href":"https:\/\/theamericanfrenchfilmfestival.org\/wp-json\/wp\/v2\/posts\/7153\/revisions"}],"predecessor-version":[{"id":22544,"href":"https:\/\/theamericanfrenchfilmfestival.org\/wp-json\/wp\/v2\/posts\/7153\/revisions\/22544"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/theamericanfrenchfilmfestival.org\/wp-json\/wp\/v2\/media\/7154"}],"wp:attachment":[{"href":"https:\/\/theamericanfrenchfilmfestival.org\/wp-json\/wp\/v2\/media?parent=7153"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/theamericanfrenchfilmfestival.org\/wp-json\/wp\/v2\/categories?post=7153"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/theamericanfrenchfilmfestival.org\/wp-json\/wp\/v2\/tags?post=7153"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}