{"id":23026,"date":"2025-07-18T18:36:50","date_gmt":"2025-07-18T18:36:50","guid":{"rendered":"https:\/\/theamericanfrenchfilmfestival.org\/?p=23026"},"modified":"2025-07-22T17:24:01","modified_gmt":"2025-07-22T17:24:01","slug":"stolen-kisses","status":"publish","type":"post","link":"https:\/\/theamericanfrenchfilmfestival.org\/stolen-kisses\/","title":{"rendered":"STOLEN KISSES"},"content":{"rendered":"

\"\"<\/h2>\n

STOLEN KISSES<\/h2>\n

| 1969\u00a0 \u2013 92\u2032 \u2013 Comedy, Romance, Classic.
\nWritten by:\u00a0Fran\u00e7ois Truffaut,\u00a0Claude de Givray, Bernard Revon.
\nDirected by:\u00a0Fran\u00e7ois Truffaut.
\nStarring:\u00a0Jean-Pierre L\u00e9aud,\u00a0Claude Jade,\u00a0Daniel Ceccaldi, Delphine Seyrig, Michael Lonsdale, Andr\u00e9\u00a0Falcon, Claire Duhamel, Marie-France Pisier.
\nAcademy Awards Nomination Best Foreign Language Film 1969.
\nIn French with English subtitles.
\nA The Criterion Collection release. |<\/span><\/p>\n

Jean-Pierre L\u00e9aud returns in the delightful Stolen Kisses, the third installment in the Antoine Doinel series. It is now 1968, and the mischievous and perpetually lovestruck Doinel has been dishonorably discharged from the army and released onto the streets of Paris, where he stumbles into the unlikely profession of private detective and embarks on a series of misadventures. Whimsical, nostalgic, and irrepressibly romantic, Stolen Kisses is Fran\u00e7ois Truffaut’s timeless ode to the passion and impetuosity of youth.<\/span><\/em><\/p>\n

WATCH NOW<\/a><\/h3>\n","protected":false},"excerpt":{"rendered":"

STOLEN KISSES | 1969\u00a0 \u2013 92\u2032 \u2013 Comedy, Romance, Classic. Written by:\u00a0Fran\u00e7ois Truffaut,\u00a0Claude de Givray, Bernard Revon. Directed by:\u00a0Fran\u00e7ois Truffaut. Starring:\u00a0Jean-Pierre L\u00e9aud,\u00a0Claude Jade,\u00a0Daniel Ceccaldi, Delphine Seyrig, Michael Lonsdale, Andr\u00e9\u00a0Falcon, Claire Duhamel, Marie-France Pisier. Academy Awards Nomination Best Foreign Language Film 1969. In French with English subtitles. A The Criterion Collection release. | Jean-Pierre L\u00e9aud returns […]<\/p>\n","protected":false},"author":4,"featured_media":23027,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[24,13,45,17],"tags":[],"class_list":["post-23026","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-classic","category-comedy","category-romance","category-comedy-romance"],"_links":{"self":[{"href":"https:\/\/theamericanfrenchfilmfestival.org\/wp-json\/wp\/v2\/posts\/23026","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/theamericanfrenchfilmfestival.org\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/theamericanfrenchfilmfestival.org\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/theamericanfrenchfilmfestival.org\/wp-json\/wp\/v2\/users\/4"}],"replies":[{"embeddable":true,"href":"https:\/\/theamericanfrenchfilmfestival.org\/wp-json\/wp\/v2\/comments?post=23026"}],"version-history":[{"count":1,"href":"https:\/\/theamericanfrenchfilmfestival.org\/wp-json\/wp\/v2\/posts\/23026\/revisions"}],"predecessor-version":[{"id":23028,"href":"https:\/\/theamericanfrenchfilmfestival.org\/wp-json\/wp\/v2\/posts\/23026\/revisions\/23028"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/theamericanfrenchfilmfestival.org\/wp-json\/wp\/v2\/media\/23027"}],"wp:attachment":[{"href":"https:\/\/theamericanfrenchfilmfestival.org\/wp-json\/wp\/v2\/media?parent=23026"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/theamericanfrenchfilmfestival.org\/wp-json\/wp\/v2\/categories?post=23026"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/theamericanfrenchfilmfestival.org\/wp-json\/wp\/v2\/tags?post=23026"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}