{"id":22698,"date":"2025-06-28T22:43:09","date_gmt":"2025-06-28T22:43:09","guid":{"rendered":"https:\/\/theamericanfrenchfilmfestival.org\/?p=22698"},"modified":"2025-06-28T22:43:09","modified_gmt":"2025-06-28T22:43:09","slug":"nightcap","status":"publish","type":"post","link":"https:\/\/theamericanfrenchfilmfestival.org\/nightcap\/","title":{"rendered":"NIGHTCAP"},"content":{"rendered":"

\"\"<\/h2>\n

NIGHTCAP<\/h2>\n

| 2000 (Re-released in 2024) \u2013 99\u2032 \u2013 Crime, Drama, Film & Literature.
\nWritten by: Caroline Eliacheff, Claude Chabrol.
\nBased on the Book by: Charlotte Armstrong.
\nDirected by:\u00a0Claude Chabrol.
\nStarring:\u00a0Isabelle Huppert,\u00a0Jacques Dutronc,\u00a0Anna Mouglalis, Brigitte Catillon, Michel Robin, Rodolphe Pauly, Mathieu Simonet, Isolde Barth.
\nOfficial Selection Toronto International Film Festival 2000.
\nOfficial Selection\u00a0COLCOA 2001<\/strong>.
\nIn French with English subtitles.
\nAn Arrow release. |<\/span><\/p>\n

Andr\u00e9 Polonski, a virtuoso pianist, and Mika Muller, CEO of the Muller chocolate company, marry in Lausanne. Their first, brief relationship had occurred some years earlier. After this, Andr\u00e9 had married Lisbeth, with whom he had a son, Guillaume. On Guillaume\u2019s sixth birthday, while the family was staying in Switzerland with Mika, Lisbeth was killed in a car accident\u2026 Jeanne Pollet, a young pianist preparing for a competition in Budapest, learns in passing that she had almost been swapped with Guillaume Polonksi on the day of her birth. In search of her origins and a mentor, Jeanne will insinuate her way into a family not her own.<\/span><\/em><\/p>\n

WATCH NOW<\/a><\/h3>\n","protected":false},"excerpt":{"rendered":"

NIGHTCAP | 2000 (Re-released in 2024) \u2013 99\u2032 \u2013 Crime, Drama, Film & Literature. Written by: Caroline Eliacheff, Claude Chabrol. Based on the Book by: Charlotte Armstrong. Directed by:\u00a0Claude Chabrol. Starring:\u00a0Isabelle Huppert,\u00a0Jacques Dutronc,\u00a0Anna Mouglalis, Brigitte Catillon, Michel Robin, Rodolphe Pauly, Mathieu Simonet, Isolde Barth. Official Selection Toronto International Film Festival 2000. Official Selection\u00a0COLCOA 2001. In […]<\/p>\n","protected":false},"author":4,"featured_media":22699,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[95,33,11,119],"tags":[],"class_list":["post-22698","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-tafff","category-crime","category-drama","category-films-literature"],"_links":{"self":[{"href":"https:\/\/theamericanfrenchfilmfestival.org\/wp-json\/wp\/v2\/posts\/22698","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/theamericanfrenchfilmfestival.org\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/theamericanfrenchfilmfestival.org\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/theamericanfrenchfilmfestival.org\/wp-json\/wp\/v2\/users\/4"}],"replies":[{"embeddable":true,"href":"https:\/\/theamericanfrenchfilmfestival.org\/wp-json\/wp\/v2\/comments?post=22698"}],"version-history":[{"count":1,"href":"https:\/\/theamericanfrenchfilmfestival.org\/wp-json\/wp\/v2\/posts\/22698\/revisions"}],"predecessor-version":[{"id":22700,"href":"https:\/\/theamericanfrenchfilmfestival.org\/wp-json\/wp\/v2\/posts\/22698\/revisions\/22700"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/theamericanfrenchfilmfestival.org\/wp-json\/wp\/v2\/media\/22699"}],"wp:attachment":[{"href":"https:\/\/theamericanfrenchfilmfestival.org\/wp-json\/wp\/v2\/media?parent=22698"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/theamericanfrenchfilmfestival.org\/wp-json\/wp\/v2\/categories?post=22698"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/theamericanfrenchfilmfestival.org\/wp-json\/wp\/v2\/tags?post=22698"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}