{"id":7870,"date":"2022-06-13T11:17:59","date_gmt":"2022-06-13T11:17:59","guid":{"rendered":"https:\/\/theamericanfrenchfilmfestival.org\/?page_id=7870"},"modified":"2022-10-08T18:53:13","modified_gmt":"2022-10-08T18:53:13","slug":"focus-on-film-score-composer-2022","status":"publish","type":"page","link":"https:\/\/theamericanfrenchfilmfestival.org\/focus-on-film-score-composer-2022\/","title":{"rendered":"FOCUS ON A FILM SCORE COMPOSER"},"content":{"rendered":"
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FOCUS ON
\nA FILM SCORE COMPOSER<\/h2>\n[\/vc_column_text][mk_padding_divider size=”20″][vc_column_text css=”.vc_custom_1664044982620{margin-bottom: 0px !important;}”]\n

ERIC NEVEUX<\/h1>\n[\/vc_column_text][\/vc_column][vc_column width=”1\/2″][mk_padding_divider][vc_column_text css=”.vc_custom_1664043561339{margin-bottom: 0px !important;}”]\n

IN ASSOCIATION WITH<\/span><\/p>\n[\/vc_column_text][mk_image src=”https:\/\/theamericanfrenchfilmfestival.org\/wp-content\/uploads\/2022\/10\/matrice-logo.png” image_size=”full” align=”center”][mk_padding_divider size=”10″][mk_image src=”https:\/\/theamericanfrenchfilmfestival.org\/wp-content\/uploads\/2022\/09\/screen-shot-2022-09-07-at-11.56.34-am.png” image_size=”full” align=”center”][mk_image src=”https:\/\/theamericanfrenchfilmfestival.org\/wp-content\/uploads\/2018\/01\/variety-200.jpg” image_size=”full” align=”center”][\/vc_column][\/vc_row][vc_row][vc_column][vc_separator color=”custom” accent_color=”#d41953″][\/vc_column][\/vc_row][vc_row][vc_column width=”1\/2″][vc_column_text css=”.vc_custom_1664069281705{margin-bottom: 0px !important;}”]\n

Composer Eric Neveux<\/strong> was 25 when he met writer\/director Fran\u00e7ois Ozon (Swimming Pool, 8 Women) and composed the score for his first long-form film, See the Sea<\/em>. Ozon then asked him to score his first feature film, Sitcom<\/em>. Shortly thereafter, Neveux began a long-term collaboration with Patrice Ch\u00e9reau, scoring his film Those Who Love Me Can Take the Train<\/em> (Cannes Film Festival Official Selection, 1997), followed by Intimacy<\/em> (Berlin Film Festival Golden Bear award-winner, 2001), and Persecution<\/em>, (Venice Film Festival, 2009).<\/p>\n

Eric Neveux has composed original music for 60 feature films, and numerous TV movies and series. Recent highlights include scores for the TV Show Soldiers<\/strong><\/em>, premiering at the American French Film festival, Ziad Doueiri\u2019s mini-series Inhuman Resources<\/em> (Netflix) and forthcoming series Black Hearts<\/em> (Amazon), and the last feature film De son Vivant<\/em> from writer\/director Emmanuelle Bercot, starring Catherine Deneuve.<\/p>\n

Other projects include two installments of director Rachid Bouchareb\u2019s American Trilogy<\/em>; Just Like a Woman<\/em> (starring Sienna Miller and Golshifteh Farahani), and Two Men in Town<\/em> (2014), with Forest Whitaker and Harvey Keitel; and later, Bouchareb\u2019s film Road to Istanbul<\/em> in 2016 (the last two being official selections of the Berlin Film Festival). Eric\u2019s passion for independent film is further illustrated by his work on titles such as La Vie Domestique<\/em> written and directed by Isabelle Czajka, Standing Tall<\/em> (La T\u00eate Haute) w\/d by Emmanuelle Bercot, the Cannes Film Festival\u2019s opening film in 2015, The Attack<\/em> (COLCOA 2013), and The Insult<\/em> (2017), by Ziad Doueiri which was nominated for Best Foreign Language Film at the 90th Academy Awards.<\/p>\n

Under the moniker Mr. Neveux, Eric made important contributions to the 90s Downtempo music scene, most notably with the release of his album, TUBA<\/em> (Cup of Tea Records). Later he co-founded Microbe Records, a respected home for indie artists in France and the United Kingdom.<\/p>\n

EricNeveux.com<\/a><\/p>\n[\/vc_column_text][\/vc_column][vc_column width=”1\/2″][mk_image src=”https:\/\/theamericanfrenchfilmfestival.org\/wp-content\/uploads\/2022\/09\/eric_neveux.jpeg” image_size=”full” frame_style=”gray_border” title=”Photo: Steeven Petitteville” align=”center”][vc_column_text css=”.vc_custom_1664316242650{margin-bottom: 0px !important;}”]Wednesday, October 12, <\/strong>Truffaut Theatre – 3:00 pm to 3:45 pm
\nHappy Hour talk dedicated to Eric Neveux
\n<\/span><\/strong>Followed by a complimentary Wine & Cheese reception in the Festival Lounge<\/em>
\nModerated by<\/strong>: Catherine\u00a0Joy, Composer – Joy Music House –\u00a0www.catherinejoymusic.com<\/a><\/p>\n

Eric Neveux created the music of the Series\u00a0 SOLDIERS<\/a> (Les Sentinelles) presented as a North American Premiere at the festival.[\/vc_column_text][\/vc_column][\/vc_row]\n<\/div>","protected":false},"excerpt":{"rendered":"

[vc_row][vc_column width=”1\/2″][mk_padding_divider][vc_column_text css=”.vc_custom_1664044901834{margin-bottom: 0px !important;}”] FOCUS ON A FILM SCORE COMPOSER [\/vc_column_text][mk_padding_divider size=”20″][vc_column_text css=”.vc_custom_1664044982620{margin-bottom: 0px !important;}”] ERIC NEVEUX [\/vc_column_text][\/vc_column][vc_column width=”1\/2″][mk_padding_divider][vc_column_text css=”.vc_custom_1664043561339{margin-bottom: 0px !important;}”] IN ASSOCIATION WITH [\/vc_column_text][mk_image src=”https:\/\/theamericanfrenchfilmfestival.org\/wp-content\/uploads\/2022\/10\/matrice-logo.png” image_size=”full” align=”center”][mk_padding_divider size=”10″][mk_image src=”https:\/\/theamericanfrenchfilmfestival.org\/wp-content\/uploads\/2022\/09\/screen-shot-2022-09-07-at-11.56.34-am.png” image_size=”full” align=”center”][mk_image src=”https:\/\/theamericanfrenchfilmfestival.org\/wp-content\/uploads\/2018\/01\/variety-200.jpg” image_size=”full” align=”center”][\/vc_column][\/vc_row][vc_row][vc_column][vc_separator color=”custom” accent_color=”#d41953″][\/vc_column][\/vc_row][vc_row][vc_column width=”1\/2″][vc_column_text css=”.vc_custom_1664069281705{margin-bottom: 0px !important;}”] Composer Eric Neveux was 25 when he met writer\/director Fran\u00e7ois Ozon (Swimming […]<\/p>\n","protected":false},"author":4,"featured_media":0,"parent":0,"menu_order":0,"comment_status":"closed","ping_status":"closed","template":"","meta":{"footnotes":""},"class_list":["post-7870","page","type-page","status-publish","hentry"],"_links":{"self":[{"href":"https:\/\/theamericanfrenchfilmfestival.org\/wp-json\/wp\/v2\/pages\/7870","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/theamericanfrenchfilmfestival.org\/wp-json\/wp\/v2\/pages"}],"about":[{"href":"https:\/\/theamericanfrenchfilmfestival.org\/wp-json\/wp\/v2\/types\/page"}],"author":[{"embeddable":true,"href":"https:\/\/theamericanfrenchfilmfestival.org\/wp-json\/wp\/v2\/users\/4"}],"replies":[{"embeddable":true,"href":"https:\/\/theamericanfrenchfilmfestival.org\/wp-json\/wp\/v2\/comments?post=7870"}],"version-history":[{"count":39,"href":"https:\/\/theamericanfrenchfilmfestival.org\/wp-json\/wp\/v2\/pages\/7870\/revisions"}],"predecessor-version":[{"id":13138,"href":"https:\/\/theamericanfrenchfilmfestival.org\/wp-json\/wp\/v2\/pages\/7870\/revisions\/13138"}],"wp:attachment":[{"href":"https:\/\/theamericanfrenchfilmfestival.org\/wp-json\/wp\/v2\/media?parent=7870"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}