{"id":23098,"date":"2025-07-21T20:32:37","date_gmt":"2025-07-21T20:32:37","guid":{"rendered":"https:\/\/theamericanfrenchfilmfestival.org\/?page_id=23098"},"modified":"2025-10-18T17:53:45","modified_gmt":"2025-10-18T17:53:45","slug":"guru","status":"publish","type":"page","link":"https:\/\/theamericanfrenchfilmfestival.org\/guru\/","title":{"rendered":"GURU"},"content":{"rendered":"<div class=\"wpb-content-wrapper\">[vc_row][vc_column][mk_padding_divider][vc_column_text css=&#8221;.vc_custom_1753129951535{margin-bottom: 0px !important;}&#8221;]\n<h1 style=\"text-align: center;\">GURU<\/h1>\n<h2 style=\"text-align: center;\">(Gourou)<\/h2>\n<h2 style=\"text-align: center;\"><\/h2>\n<h2 style=\"text-align: center;\"><\/h2>\n<h2 style=\"text-align: center;\"><\/h2>\n<h2 style=\"text-align: center;\"><\/h2>\n<p>&nbsp;<\/p>\n<h2 style=\"text-align: center;\"><\/h2>\n[\/vc_column_text][vc_separator color=&#8221;custom&#8221; css=&#8221;&#8221; accent_color=&#8221;#660084&#8243;][\/vc_column][\/vc_row][vc_row][vc_column width=&#8221;1\/3&#8243;][mk_content_box heading=&#8221;CINEMA COMPETITION&#8221;][vc_column_text css=&#8221;.vc_custom_1758583380349{margin-bottom: 0px !important;}&#8221;]\n<p style=\"text-align: center;\">RENOIR THEATER<\/p>\n<h3 style=\"text-align: center;\">Drama, Psychological Thriller<\/h3>\n[\/vc_column_text][\/mk_content_box][\/vc_column][vc_column width=&#8221;1\/3&#8243;][mk_custom_box corner_radius=&#8221;15&#8243; bg_color=&#8221;#dbcce2&#8243;][vc_column_text css=&#8221;.vc_custom_1760810023149{margin-bottom: 0px !important;}&#8221;]\n<p style=\"text-align: center;\"><strong>MONDAY NOVEMBER 3<\/strong><br \/>\n8:15 pm<br \/>\n<strong>Followed by a conversation with writer-director Yann Gozlan, actor\u00a0Holt McCallany, producer Wassim B\u00e9ji and composer Chlo\u00e9 Th\u00e9venin<\/strong><\/p>\n<p>\u00a0[\/vc_column_text][\/mk_custom_box][mk_padding_divider size=&#8221;10&#8243;][mk_image src=&#8221;https:\/\/theamericanfrenchfilmfestival.org\/wp-content\/uploads\/2022\/09\/order-tickets.jpg&#8221; image_size=&#8221;full&#8221; link=&#8221;https:\/\/theamericanfrenchfilmfestival.eventive.org\/schedule\/68d7a70e335d2013663efb82&#8243; target=&#8221;_blank&#8221; align=&#8221;center&#8221;][\/vc_column][vc_column width=&#8221;1\/3&#8243;][mk_content_box heading=&#8221;PRESENTED IN ASSOCIATION WITH:&#8221;][vc_column_text css=&#8221;.vc_custom_1758864023388{margin-bottom: 0px !important;}&#8221;]\n<p style=\"text-align: center;\">StudioCanal<br \/>\nLyc\u00e9e Fran\u00e7ais de Los Angeles<\/p>\n[\/vc_column_text][\/mk_content_box][\/vc_column][\/vc_row][vc_row][vc_column][mk_padding_divider size=&#8221;20&#8243;][vc_separator color=&#8221;custom&#8221; border_width=&#8221;2&#8243; css=&#8221;&#8221; accent_color=&#8221;#ea1300&#8243;][\/vc_column][\/vc_row][vc_row][vc_column width=&#8221;1\/2&#8243;][vc_column_text css=&#8221;.vc_custom_1759535380739{margin-bottom: 0px !important;}&#8221;]<strong><span style=\"color: #ea1300;\">Exclusive Presentation &#8211; Closing Film<\/span><\/strong> <span style=\"font-weight: 400;\">|\u00a0France, Belgium |\u00a02026\u00a0|\u00a0Drama, Psychological Thriller |\u00a0<\/span><span style=\"font-weight: 400;\">126&#8242;<\/span><span style=\"font-weight: 400;\">\u00a0min\u00a0|\u00a0In French with English subtitles and in English | <\/span><span style=\"font-weight: 400;\"><br \/>\n<\/span><b>Directed by: <\/b><span style=\"font-weight: 400;\">Yann Gozlan<\/span><span style=\"font-weight: 400;\"><br \/>\n<\/span><b>Written by: <\/b><span style=\"font-weight: 400;\">Jean-Baptiste Delafon, Yann Gozlan<\/span><span style=\"font-weight: 400;\"><br \/>\n<\/span><b>Produced by: <\/b><span style=\"font-weight: 400;\">Wassim B\u00e9ji (WY Productions), Pierre Niney &amp; <\/span><span style=\"font-weight: 400;\">Marc-Henri de Bussch\u00e8re<\/span><span style=\"font-weight: 400;\"> (Ninety Productions), Ga\u00ebtan David &amp; Andr\u00e9 Logie<\/span> <span style=\"font-weight: 400;\">(Panache Productions), M6 Films<br \/>\n<\/span><b>Cinematography:\u00a0<\/b><span style=\"font-weight: 400;\">Antoine Sanier<br \/>\n<\/span><b>Original Score: <\/b><span style=\"font-weight: 400;\">Chlo\u00e9 Th\u00e9venin<br \/>\n<\/span><b>Film Editing:<\/b> <span style=\"font-weight: 400;\">Gr\u00e9goire Sivan<br \/>\n<\/span><b>Cast:<\/b> <span style=\"font-weight: 400;\">Pierre Niney (Mathieu Vasseur),\u00a0Marion Barbeau (Ad\u00e8le),\u00a0Anthony Bajon (Julien), Holt McCallany (Peter Conrad), Leanna Chea (Sonia)<\/span><span style=\"font-weight: 400;\"><br \/>\n<\/span><b>International Sales: <\/b><span style=\"font-weight: 400;\">StudioCanal<\/span><\/p>\n<p style=\"text-align: right;\"><strong><span style=\"color: #660084;\">Synopsis<\/span><\/strong><\/p>\n<p style=\"text-align: justify;\"><span style=\"font-weight: 400;\">High school dropout-turned-master of manipulation, <\/span><span style=\"font-weight: 400;\">Matt Vasseur has become a superstar life coach, leading crowds of avid followers in highly-choreographed, super-charged motivational events. Then a senate committee forms, demanding that coaches have actual credentials, and Matt\u2019s celebrity status slowly begins to falter. <\/span><span style=\"font-weight: 400;\">Director <\/span><b>Yann Gozlan<\/b><span style=\"font-weight: 400;\"> and C\u00e9sar Award-winning actor Pierre Niney team up, once again, in another taut tale of success, power and greed. And once again (after Gozlan&#8217;s <\/span><i><span style=\"font-weight: 400;\">A Perfect Man<\/span><\/i><span style=\"font-weight: 400;\"> and <\/span><i><span style=\"font-weight: 400;\">Black Box<\/span><\/i><span style=\"font-weight: 400;\">) Niney&#8217;s social-climbing protagonist seems to have been christened with the very same moniker: &#8220;Mathieu Vasseur.&#8221;<\/span><\/p>\n<p>&nbsp;<\/p>\n<p style=\"text-align: right;\"><strong><span style=\"color: #660084;\">Director&#8217;s biography<\/span><\/strong><\/p>\n<p style=\"text-align: justify;\"><span style=\"font-weight: 400;\">A TAFFF regular, writer-director <\/span><b>Yann Gozlan<\/b><span style=\"font-weight: 400;\"> turned his back on economics early on, began making experimental films in video and Super8, then went on to write and direct two shorts, <\/span><i><span style=\"font-weight: 400;\">Pellis<\/span><\/i><span style=\"font-weight: 400;\"> (2004) and <\/span><i><span style=\"font-weight: 400;\">\u00c9cho<\/span><\/i><span style=\"font-weight: 400;\"> (2006). His first feature, the horror film <\/span><i><span style=\"font-weight: 400;\">Caged<\/span><\/i><span style=\"font-weight: 400;\"> (2010), nabbed Best Film and Best Actress Awards at Screamfest in L.A.\u00a0 He followed that with a string of psychological thrillers: <\/span><i><span style=\"font-weight: 400;\">A Perfect Man<\/span><\/i><span style=\"font-weight: 400;\"> (opening film, COLCOA 2015); <\/span><i><span style=\"font-weight: 400;\">Burn Out<\/span><\/i><span style=\"font-weight: 400;\"> (COLCOA 2018); <\/span><i><span style=\"font-weight: 400;\">Black Box<\/span><\/i><span style=\"font-weight: 400;\"> (COLCOA 2021), which was nominated for five C\u00e9sar Awards; and <\/span><i><span style=\"font-weight: 400;\">Visions<\/span><\/i><span style=\"font-weight: 400;\"> (2023). He also served as co-writer on Thomas Kruithof\u2019s chilling espionage thriller, <\/span><i><span style=\"font-weight: 400;\">The Eavesdropper<\/span><\/i><span style=\"font-weight: 400;\"> (COLCOA 2017). His recently-released <\/span><b><i>The Residence<\/i><\/b><span style=\"font-weight: 400;\">, which premiered as a Midnight Screening at this year&#8217;s Cannes Film Festival, is also being screened at TAFFF this year. <\/span><b><i>Guru<\/i><\/b><span style=\"font-weight: 400;\"> is scheduled to be released in France on January 29, 2026.<\/span><\/p>\n[\/vc_column_text][\/vc_column][vc_column width=&#8221;1\/2&#8243;][mk_image src=&#8221;https:\/\/theamericanfrenchfilmfestival.org\/wp-content\/uploads\/2025\/09\/screenshot-2025-09-28-at-10.00.31.png&#8221; image_size=&#8221;full&#8221; link=&#8221;https:\/\/theamericanfrenchfilmfestival.org\/win-a-trip-to-paris\/&#8221; target=&#8221;_blank&#8221; align=&#8221;center&#8221;][mk_image src=&#8221;https:\/\/theamericanfrenchfilmfestival.org\/wp-content\/uploads\/2025\/09\/guru.jpg&#8221; image_size=&#8221;full&#8221; frame_style=&#8221;gray_border&#8221; align=&#8221;center&#8221;][\/vc_column][\/vc_row][vc_row][vc_column][vc_column_text]\n[\/vc_column_text][\/vc_column][\/vc_row]\n<\/div>","protected":false},"excerpt":{"rendered":"<p>[vc_row][vc_column][mk_padding_divider][vc_column_text css=&#8221;.vc_custom_1753129951535{margin-bottom: 0px !important;}&#8221;] GURU (Gourou) &nbsp; [\/vc_column_text][vc_separator color=&#8221;custom&#8221; css=&#8221;&#8221; accent_color=&#8221;#660084&#8243;][\/vc_column][\/vc_row][vc_row][vc_column width=&#8221;1\/3&#8243;][mk_content_box heading=&#8221;CINEMA COMPETITION&#8221;][vc_column_text css=&#8221;.vc_custom_1758583380349{margin-bottom: 0px !important;}&#8221;] RENOIR THEATER Drama, Psychological Thriller [\/vc_column_text][\/mk_content_box][\/vc_column][vc_column width=&#8221;1\/3&#8243;][mk_custom_box corner_radius=&#8221;15&#8243; bg_color=&#8221;#dbcce2&#8243;][vc_column_text css=&#8221;.vc_custom_1760810023149{margin-bottom: 0px !important;}&#8221;] MONDAY NOVEMBER 3 8:15 pm Followed by a conversation with writer-director Yann Gozlan, actor\u00a0Holt McCallany, producer Wassim B\u00e9ji and composer Chlo\u00e9 Th\u00e9venin \u00a0[\/vc_column_text][\/mk_custom_box][mk_padding_divider size=&#8221;10&#8243;][mk_image src=&#8221;https:\/\/theamericanfrenchfilmfestival.org\/wp-content\/uploads\/2022\/09\/order-tickets.jpg&#8221; image_size=&#8221;full&#8221; [&hellip;]<\/p>\n","protected":false},"author":4,"featured_media":0,"parent":0,"menu_order":0,"comment_status":"closed","ping_status":"closed","template":"","meta":{"footnotes":""},"class_list":["post-23098","page","type-page","status-publish","hentry"],"_links":{"self":[{"href":"https:\/\/theamericanfrenchfilmfestival.org\/wp-json\/wp\/v2\/pages\/23098","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/theamericanfrenchfilmfestival.org\/wp-json\/wp\/v2\/pages"}],"about":[{"href":"https:\/\/theamericanfrenchfilmfestival.org\/wp-json\/wp\/v2\/types\/page"}],"author":[{"embeddable":true,"href":"https:\/\/theamericanfrenchfilmfestival.org\/wp-json\/wp\/v2\/users\/4"}],"replies":[{"embeddable":true,"href":"https:\/\/theamericanfrenchfilmfestival.org\/wp-json\/wp\/v2\/comments?post=23098"}],"version-history":[{"count":19,"href":"https:\/\/theamericanfrenchfilmfestival.org\/wp-json\/wp\/v2\/pages\/23098\/revisions"}],"predecessor-version":[{"id":25085,"href":"https:\/\/theamericanfrenchfilmfestival.org\/wp-json\/wp\/v2\/pages\/23098\/revisions\/25085"}],"wp:attachment":[{"href":"https:\/\/theamericanfrenchfilmfestival.org\/wp-json\/wp\/v2\/media?parent=23098"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}