{"id":22765,"date":"2025-07-02T16:38:16","date_gmt":"2025-07-02T16:38:16","guid":{"rendered":"https:\/\/theamericanfrenchfilmfestival.org\/?page_id=22765"},"modified":"2025-10-15T22:16:46","modified_gmt":"2025-10-15T22:16:46","slug":"tell-her-i-love-her","status":"publish","type":"page","link":"https:\/\/theamericanfrenchfilmfestival.org\/tell-her-i-love-her\/","title":{"rendered":"TELL HER I LOVE HER"},"content":{"rendered":"
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TELL HER I LOVE HER<\/h1>\n

(Dites-lui que je l’aime)<\/h2>\n

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TRUFFAUT THEATER<\/p>\n

Documentary<\/h3>\n[\/vc_column_text][\/mk_content_box][\/vc_column][vc_column width=”1\/3″][mk_custom_box corner_radius=”15″ bg_color=”#dbcce2″][vc_column_text css=”.vc_custom_1758576887311{margin-bottom: 0px !important;}”]\n

SATURDAY NOVEMBER 1
\n<\/strong>1:20 pm (Screening ends at 3:00 pm)
\nFollowed by a conversation with writer\/director Romane Bohringer<\/strong><\/p>\n[\/vc_column_text][\/mk_custom_box][mk_padding_divider size=”10″][mk_image src=”https:\/\/theamericanfrenchfilmfestival.org\/wp-content\/uploads\/2022\/09\/order-tickets.jpg” image_size=”full” link=”https:\/\/theamericanfrenchfilmfestival.eventive.org\/schedule\/68de05ba83cf26fe8d496f94″ target=”_blank” align=”center”][\/vc_column][vc_column width=”1\/3″][mk_content_box heading=”PRESENTED IN ASSOCIATION WITH:”][vc_column_text css=”.vc_custom_1759532655100{margin-bottom: 0px !important;}”]\n

Kinology
\nInternational Documentary Association<\/p>\n[\/vc_column_text][\/mk_content_box][\/vc_column][\/vc_row][vc_row][vc_column][mk_padding_divider size=”20″][vc_separator color=”custom” border_width=”2″ css=”” accent_color=”#ea1300″][\/vc_column][\/vc_row][vc_row][vc_column width=”1\/2″][vc_column_text css=”.vc_custom_1757289300591{margin-bottom: 0px !important;}”]US Premiere<\/span> <\/strong>|\u00a0France |\u00a02025\u00a0|\u00a0Documentary, Drama |\u00a092\u00a0min\u00a0|\u00a0In French with English subtitles<\/p>\n

Directed by: <\/strong>Romane Bohringer
\nWritten by: <\/strong>Romane Bohringer, G\u00e1bor Rassov
\nBased on the Book by:<\/strong> Cl\u00e9mentine Autain
\nProduced by: <\/strong>Sophie R\u00e9veil & Denis Carot (Escazal Films)
\nCinematography:\u00a0<\/strong>Bertrand Mouly
\n<\/strong>Original Score: <\/strong>Emmanuel Jessua, Maurice Marius
\nFilm Editing:<\/strong> C\u00e9line Cloarec,\u00a0Am\u00e9lie Massoutier
\n<\/strong>Cast:<\/strong> Romane Bohringer,\u00a0Cl\u00e9mentine Autain,\u00a0Eva Yelmani, Josiane Stol\u00e9ru, Liliane Sandrey-Baud, Raoul Rebbot-Bohringer, Philippe Rebbot, Dominique Frot
\nInternational Sales: <\/strong>Kinology<\/p>\n

Synopsis<\/span><\/strong><\/p>\n

Director Romane Bohringer<\/strong> fearlessly breaks stylistic ground in this autobiographical documentary, delving into generational trauma and wielding a mixed bag of filmmaking tools. The exercise is instigated by Cl\u00e9mentine Autain’s memoir about<\/em> being abandoned by a mother who died very young. That book conjures up Bohringer’s own childhood, which is a carbon copy of Autain’s experience. Superimposing their parallel story lines and sleuthing scraps of family history, the film follows both women, as they plumb their individual suffering to reach a kind of loving forgiveness, breaking those tenacious abandonment cycles, once and for all.<\/p>\n

Director’s Biography<\/span><\/strong><\/p>\n

Romane Bohringer<\/strong> made her on-screen debut at 10, alongside her father, actor Richard Bohringer, in Patrick Chaput’s La B\u00eate noire<\/em> (1983). However, she soon turned to the theater, playing Miranda in Peter Brook’s staging of Shakespeare’s The Tempest<\/em>.\u00a0 Her breakout film was opposite Cyril Collard in his powerful AIDS drama, Savage Nights<\/em> (1992), which earned her a Most Promising Actress Award. She has appeared in 91 films, among them Claude Miller’s The Accompanist<\/em> (1992), Martine Dugowson’s Mina Tannenbaum<\/em> (1994), Agnieszka Holland’s Total Eclipse<\/em> (1995), Richard Bohringer’s The City Is Beautiful at Night<\/em> (2006), and Alain Tasma’s TV movie Le Viol<\/em> (2017). She wrote and directed her first short, Ti Tengu caru<\/em> in 2005. In 2018, Bohringer and Philippe Rebbot cowrote, co-directed and co-starred in the feature L’Amour flou<\/em>, recounting the true story of their real-life romantic breakup, which was nominated for a C\u00e9sar Award for Best First Film, and then Uncoupling<\/em> (TAFFF 2022), the sitcom version of that same story. Tell Her I Love Her<\/em><\/strong> premiered in the Special Screenings section of this year’s Cannes Film Festival.<\/p>\n[\/vc_column_text][\/vc_column][vc_column width=”1\/2″][mk_image src=”https:\/\/theamericanfrenchfilmfestival.org\/wp-content\/uploads\/2025\/09\/screenshot-2025-09-28-at-10.07.49.png” image_size=”full” link=”https:\/\/theamericanfrenchfilmfestival.org\/win-a-cruise-for-two-in-europe\/” target=”_blank” align=”center”][mk_image src=”https:\/\/theamericanfrenchfilmfestival.org\/wp-content\/uploads\/2025\/09\/tell-her-that-i-love-her.jpg” image_size=”full” frame_style=”gray_border” align=”center”][\/vc_column][\/vc_row][vc_row][vc_column][vc_column_text]\n[\/vc_column_text][\/vc_column][\/vc_row]\n<\/div>","protected":false},"excerpt":{"rendered":"

[vc_row][vc_column][mk_padding_divider][vc_column_text css=”.vc_custom_1760565050598{margin-bottom: 0px !important;}”] TELL HER I LOVE HER (Dites-lui que je l’aime)   [\/vc_column_text][vc_separator color=”custom” css=”” accent_color=”#660084″][\/vc_column][\/vc_row][vc_row][vc_column width=”1\/3″][mk_content_box heading=”DOCUMENTARY COMPETITION”][vc_column_text css=”.vc_custom_1757463486787{margin-bottom: 0px !important;}”] TRUFFAUT THEATER Documentary [\/vc_column_text][\/mk_content_box][\/vc_column][vc_column width=”1\/3″][mk_custom_box corner_radius=”15″ bg_color=”#dbcce2″][vc_column_text css=”.vc_custom_1758576887311{margin-bottom: 0px !important;}”] SATURDAY NOVEMBER 1 1:20 pm (Screening ends at 3:00 pm) Followed by a conversation with writer\/director Romane Bohringer [\/vc_column_text][\/mk_custom_box][mk_padding_divider size=”10″][mk_image src=”https:\/\/theamericanfrenchfilmfestival.org\/wp-content\/uploads\/2022\/09\/order-tickets.jpg” […]<\/p>\n","protected":false},"author":4,"featured_media":0,"parent":0,"menu_order":0,"comment_status":"closed","ping_status":"closed","template":"","meta":{"footnotes":""},"class_list":["post-22765","page","type-page","status-publish","hentry"],"_links":{"self":[{"href":"https:\/\/theamericanfrenchfilmfestival.org\/wp-json\/wp\/v2\/pages\/22765","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/theamericanfrenchfilmfestival.org\/wp-json\/wp\/v2\/pages"}],"about":[{"href":"https:\/\/theamericanfrenchfilmfestival.org\/wp-json\/wp\/v2\/types\/page"}],"author":[{"embeddable":true,"href":"https:\/\/theamericanfrenchfilmfestival.org\/wp-json\/wp\/v2\/users\/4"}],"replies":[{"embeddable":true,"href":"https:\/\/theamericanfrenchfilmfestival.org\/wp-json\/wp\/v2\/comments?post=22765"}],"version-history":[{"count":26,"href":"https:\/\/theamericanfrenchfilmfestival.org\/wp-json\/wp\/v2\/pages\/22765\/revisions"}],"predecessor-version":[{"id":25042,"href":"https:\/\/theamericanfrenchfilmfestival.org\/wp-json\/wp\/v2\/pages\/22765\/revisions\/25042"}],"wp:attachment":[{"href":"https:\/\/theamericanfrenchfilmfestival.org\/wp-json\/wp\/v2\/media?parent=22765"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}