{"id":21004,"date":"2025-01-21T19:58:01","date_gmt":"2025-01-21T19:58:01","guid":{"rendered":"https:\/\/theamericanfrenchfilmfestival.org\/?page_id=21004"},"modified":"2025-01-21T23:21:39","modified_gmt":"2025-01-21T23:21:39","slug":"2024-workshops-gallery","status":"publish","type":"page","link":"https:\/\/theamericanfrenchfilmfestival.org\/2024-workshops-gallery\/","title":{"rendered":"2024 WORKSHOPS GALLERY"},"content":{"rendered":"
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2024 WORKSHOPS GALLERY<\/h2>\n[\/vc_column_text][\/vc_column][vc_column width=”1\/3″][mk_padding_divider size=”20″][vc_single_image image=”14106″ img_size=”200×107″ css=”.vc_custom_1689962543526{margin-top: 0px !important;margin-bottom: 0px !important;border-top-width: 0px !important;border-bottom-width: 0px !important;}”][mk_padding_divider size=”10″][\/vc_column][\/vc_row][vc_row][vc_column][vc_separator color=”custom” accent_color=”#004eef”][\/vc_column][\/vc_row][vc_row][vc_column width=”2\/3″][mk_padding_divider size=”60″][vc_column_text css=”.vc_custom_1737499679649{margin-bottom: 0px !important;}”]\n

TAFFF & WGAw WORKSHOP<\/h3>\n

in partnership with UNIFRANCE<\/a>\u00a0 and France TV
\n<\/em>
\nADAPTING STORIES TO THE SCREEN: FROM WORDS TO WORLDS
\n<\/strong>Moderated by past WGAW President and FACF Board Member Howard Rodman[\/vc_column_text][\/vc_column][vc_column width=”1\/3″][mk_image src=”https:\/\/theamericanfrenchfilmfestival.org\/wp-content\/uploads\/2025\/01\/tafff2024__finaledit_0.jpg” image_size=”full” lightbox=”true” frame_style=”gray_border”][\/vc_column][\/vc_row][vc_row][vc_column][vc_separator color=”custom” accent_color=”#004eef”][\/vc_column][\/vc_row][vc_row][vc_column width=”1\/3″][vc_column_text css=”.vc_custom_1737489339703{margin-bottom: 0px !important;}”]SESSION 1: Breathing New Life into the Classics<\/strong><\/p>\n

With the following French films:
\n<\/em>The Count of Monte Cristo <\/a><\/em>\u00a0<\/strong>
\nwith writers\/directors Matthieu Delaporte, Alexandre de la Patelli\u00e8re,
\nZorro<\/a> <\/strong>
\n<\/em>with showrunner\/writer Benjamin Charbit<\/p>\n

In conversation with WGAW member\/screenwriter Alex Litvak (Three Musketeers<\/em><\/strong>)[\/vc_column_text][\/vc_column][vc_column width=”1\/3″][mk_image src=”https:\/\/theamericanfrenchfilmfestival.org\/wp-content\/uploads\/2025\/01\/tafff2024__finaledit_2.jpg” image_size=”full” lightbox=”true” frame_style=”gray_border”][\/vc_column][vc_column width=”1\/3″][mk_image src=”https:\/\/theamericanfrenchfilmfestival.org\/wp-content\/uploads\/2025\/01\/tafff2024__finaledit_3.jpg” image_size=”full” lightbox=”true” frame_style=”gray_border”][\/vc_column][\/vc_row][vc_row][vc_column][mk_padding_divider][vc_separator color=”custom” accent_color=”#004eef”][\/vc_column][\/vc_row][vc_row][vc_column width=”1\/3″][vc_column_text css=”.vc_custom_1737489805439{margin-bottom: 0px !important;}”]SESSION 2: Transforming Real Life into Cinema<\/strong><\/p>\n

With the following French Films:<\/em>
\nBeing Maria<\/a>
\n<\/strong>with writer Vanessa Schneider and Producer Marielle Duigou,
\nBolero<\/a><\/strong>
\nwith writer\/director Anne Fontaine[\/vc_column_text][\/vc_column][vc_column width=”1\/3″][mk_image src=”https:\/\/theamericanfrenchfilmfestival.org\/wp-content\/uploads\/2025\/01\/tafff2024__finaledit_4.jpg” image_size=”full” lightbox=”true” frame_style=”gray_border”][\/vc_column][vc_column width=”1\/3″][mk_image src=”https:\/\/theamericanfrenchfilmfestival.org\/wp-content\/uploads\/2025\/01\/tafff2024__finaledit_5.jpg” image_size=”full” lightbox=”true” frame_style=”gray_border”][\/vc_column][\/vc_row][vc_row][vc_column][mk_padding_divider][vc_separator color=”custom” accent_color=”#004eef”][\/vc_column][\/vc_row][vc_row][vc_column width=”1\/3″][vc_column_text css=”.vc_custom_1737489986068{margin-bottom: 0px !important;}”]SESSION 3: Bringing Graphic Worlds to Life<\/strong><\/p>\n

Project:<\/strong> In Waves<\/strong> with producer Priscilla Bertin and surfer and illustrator AJ Dungo<\/p>\n

In conversation with WGAW member\/screenwriter David S. Goyer (Batman film trilogy [Batman Begins, The Dark Knight, The Dark Knight Rises], Man of Steel, Batman V Superman: Dawn of Justice, The Sandman series).[\/vc_column_text][\/vc_column][vc_column width=”1\/3″][mk_image src=”https:\/\/theamericanfrenchfilmfestival.org\/wp-content\/uploads\/2025\/01\/tafff2024__finaledit_6.jpg” image_size=”full” lightbox=”true” frame_style=”gray_border”][\/vc_column][vc_column width=”1\/3″][mk_image src=”https:\/\/theamericanfrenchfilmfestival.org\/wp-content\/uploads\/2025\/01\/tafff2024__finaledit_7.jpg” image_size=”full” lightbox=”true” frame_style=”gray_border”][\/vc_column][\/vc_row][vc_row][vc_column][mk_padding_divider][vc_separator color=”custom” accent_color=”#004eef”][\/vc_column][\/vc_row][vc_row][vc_column width=”1\/3″][vc_column_text css=”.vc_custom_1737490888592{margin-bottom: 0px !important;}”]SESSION 4: On Adaptations with Ted Hope<\/strong><\/p>\n

\u00a0<\/strong>[\/vc_column_text][\/vc_column][vc_column width=”1\/3″][mk_image src=”https:\/\/theamericanfrenchfilmfestival.org\/wp-content\/uploads\/2025\/01\/tafff2024__finaledit_8.jpg” image_size=”full” lightbox=”true” frame_style=”gray_border”][\/vc_column][vc_column width=”1\/3″][mk_image src=”https:\/\/theamericanfrenchfilmfestival.org\/wp-content\/uploads\/2025\/01\/tafff2024__finaledit_9.jpg” image_size=”full” lightbox=”true” frame_style=”gray_border”][\/vc_column][\/vc_row][vc_row][vc_column width=”1\/2″][mk_padding_divider size=”20″][vc_column_text css=”.vc_custom_1737490835218{margin-bottom: 0px !important;}”]ADAPTATIONS AT THE AMERICAN FRENCH FILM FESTIVAL 2024<\/u><\/strong>[\/vc_column_text][vc_column_text css=”.vc_custom_1737490767712{margin-bottom: 0px !important;}”]FILM
\n<\/strong>BEING MARIA – Tu t\u2019appelais Maria Schneider<\/em> by Vanessa Schneider
\nBOL\u00c9RO – based on an essay by Marcel Marnat
\nDEATH OF A CORRUPT MAN – Mort d\u2019un pourri<\/em> by Jean Laborde (under the pen name of Raf Vallet)
\nEMILIA PEREZ – \u00c9coute<\/em> by Boris Razon
\nJIM\u2019S STORY – Le Roman de Jim<\/em> by Pierric Bailly
\nMAYBE MORE – adapted from the screenplay Sentimental<\/em> by Cesc Gay
\nTHE COUNT OF MONTE CRISTO – Le Comte de Monte-Cristo<\/em> by Alexandre Dumas
\nTHE MAN WITH A THOUSAND FACES – director Sonia Kronlund first produced this material as a podcast, then as a book.[\/vc_column_text][\/vc_column][vc_column width=”1\/2″][mk_padding_divider size=”55″][vc_column_text css=”.vc_custom_1737490689746{margin-bottom: 0px !important;}”]TELEVISION\/SERIES
\n<\/strong>A DANGEROUS RELATIONSHIP – Marie des intrigues<\/em> and Marie des passions<\/em> by Juliette Benzoni
\nBECOMING KARL LAGERFELD – Kaiser Karl<\/em> by Rapga\u00eblle Bacqu\u00e9
\nGEORGES CLEMENCEAU, THE TIGER\u2019S LAST LOVE – Je vous aiderai \u00e0 vivre, vous m\u2019aiderai \u00e0 mourir<\/em> by Nathalie Saint-Cricq
\nIN THE SHADOWS – Dans l\u2019ombre<\/em> by Edouard Philippe & Gilles Boyer
\nSAMBRE – Sambre : Radioscopie d\u2019un fait divers<\/em> by Alice G\u00e9raud
\nTHE BLISSFUL – Les demeur\u00e9es<\/em> by Jeanne Benameur
\nTHE DISAPPEARANCE OF KIMMY DIORE – Les enfants sont rois<\/em> by Delphine de Vigan
\nZORRO – the fictional character first appeared in the 1919 serialized novel The Curse of Capistrano<\/em>, by Johnston McCulley[\/vc_column_text][\/vc_column][\/vc_row][vc_row][vc_column][mk_padding_divider][vc_separator color=”custom” accent_color=”#004eef”][\/vc_column][\/vc_row][vc_row][vc_column width=”2\/3″][mk_padding_divider size=”60″][vc_column_text css=”.vc_custom_1737501697351{margin-bottom: 0px !important;}”]\n

TAFFF x DGA WORKSHOP<\/h3>\n

ONE DIRECTOR\u2019S VISION FOR STREAMING SERIES<\/strong>
\nwith Lesli Linka Glatter and Steven Zaillian\u00a0<\/em><\/p>\n

Moderated by FACF Board Member Taylor Hackford[\/vc_column_text][\/vc_column][vc_column width=”1\/3″][mk_image src=”https:\/\/theamericanfrenchfilmfestival.org\/wp-content\/uploads\/2025\/01\/dga1.jpg” image_size=”full” lightbox=”true” frame_style=”gray_border”][\/vc_column][\/vc_row][vc_row][vc_column][vc_separator color=”custom” accent_color=”#004eef”][\/vc_column][\/vc_row][vc_row][vc_column width=”2\/3″][mk_padding_divider][vc_column_text css=”.vc_custom_1737498247905{margin-bottom: 0px !important;}”]Emmy Winner, Lesli Linka Glatter, the current President of the DGA, recently directed all episodes of ZERO DAY<\/strong> ,\u00a0a\u00a0multi-part political thriller-streaming series for NETFLIX starring Jesse Plemons, Robert DeNiro and\u00a0\u00a0Lizzie Caplan.<\/p>\n

Oscar and Emmy Winner, Steve Zaillian, directed all 8 episodes of the celebrated\u00a0RIPLEY<\/strong>\u00a0for NETFLIX starring Andrew Scott, Dakota Fanning, and Johnny Flynn.[\/vc_column_text][\/vc_column][vc_column width=”1\/3″][mk_image src=”https:\/\/theamericanfrenchfilmfestival.org\/wp-content\/uploads\/2025\/01\/dga2.jpg” image_size=”full” lightbox=”true” frame_style=”gray_border”][\/vc_column][\/vc_row][vc_row][vc_column][vc_separator color=”custom” accent_color=”#004eef”][\/vc_column][\/vc_row]\n<\/div>","protected":false},"excerpt":{"rendered":"

[vc_row][vc_column width=”2\/3″][mk_padding_divider size=”50″][vc_column_text css=”.vc_custom_1737499584137{margin-bottom: 0px !important;}”] 2024 WORKSHOPS GALLERY [\/vc_column_text][\/vc_column][vc_column width=”1\/3″][mk_padding_divider size=”20″][vc_single_image image=”14106″ img_size=”200×107″ css=”.vc_custom_1689962543526{margin-top: 0px !important;margin-bottom: 0px !important;border-top-width: 0px !important;border-bottom-width: 0px !important;}”][mk_padding_divider size=”10″][\/vc_column][\/vc_row][vc_row][vc_column][vc_separator color=”custom” accent_color=”#004eef”][\/vc_column][\/vc_row][vc_row][vc_column width=”2\/3″][mk_padding_divider size=”60″][vc_column_text css=”.vc_custom_1737499679649{margin-bottom: 0px !important;}”] TAFFF & WGAw WORKSHOP in partnership with UNIFRANCE\u00a0 and France TV ADAPTING STORIES TO THE SCREEN: FROM WORDS TO WORLDS Moderated by past WGAW […]<\/p>\n","protected":false},"author":4,"featured_media":0,"parent":0,"menu_order":0,"comment_status":"closed","ping_status":"closed","template":"","meta":{"footnotes":""},"class_list":["post-21004","page","type-page","status-publish","hentry"],"_links":{"self":[{"href":"https:\/\/theamericanfrenchfilmfestival.org\/wp-json\/wp\/v2\/pages\/21004","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/theamericanfrenchfilmfestival.org\/wp-json\/wp\/v2\/pages"}],"about":[{"href":"https:\/\/theamericanfrenchfilmfestival.org\/wp-json\/wp\/v2\/types\/page"}],"author":[{"embeddable":true,"href":"https:\/\/theamericanfrenchfilmfestival.org\/wp-json\/wp\/v2\/users\/4"}],"replies":[{"embeddable":true,"href":"https:\/\/theamericanfrenchfilmfestival.org\/wp-json\/wp\/v2\/comments?post=21004"}],"version-history":[{"count":23,"href":"https:\/\/theamericanfrenchfilmfestival.org\/wp-json\/wp\/v2\/pages\/21004\/revisions"}],"predecessor-version":[{"id":21063,"href":"https:\/\/theamericanfrenchfilmfestival.org\/wp-json\/wp\/v2\/pages\/21004\/revisions\/21063"}],"wp:attachment":[{"href":"https:\/\/theamericanfrenchfilmfestival.org\/wp-json\/wp\/v2\/media?parent=21004"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}