{"id":1290,"date":"2018-02-09T19:18:33","date_gmt":"2018-02-09T19:18:33","guid":{"rendered":"http:\/\/dev.theamericanfrenchfilmfestival.org\/?page_id=1290"},"modified":"2021-03-08T20:00:33","modified_gmt":"2021-03-08T20:00:33","slug":"un-plus-une","status":"publish","type":"page","link":"https:\/\/theamericanfrenchfilmfestival.org\/2022-winners\/awards\/un-plus-une\/","title":{"rendered":"UN PLUS UNE"},"content":{"rendered":"<div class=\"wpb-content-wrapper\">[vc_row][vc_column][mk_padding_divider size=&#8221;20&#8243;][vc_column_text css=&#8221;.vc_custom_1518220803967{margin-bottom: 0px !important;}&#8221;]\n<h2><strong>UN PLUS UNE<\/strong><\/h2>\n[\/vc_column_text][mk_padding_divider size=&#8221;20&#8243;][\/vc_column][\/vc_row][vc_row][vc_column width=&#8221;1\/2&#8243;][vc_column_text css=&#8221;.vc_custom_1518203844145{margin-bottom: 0px !important;}&#8221;]\n<div id=\"main\">\n<p><strong>U.S. Premiere \u2022 Romance \u2022 France, 2015<\/strong><\/p>\n<p>DCP \u2022 2.35 \u2022 Dolby 5.1 \u2022 Color \u2022 115 min<\/p>\n<p><strong>Directed by<\/strong>: Claude Lelouch<br \/>\n<strong>Written by<\/strong>: Claude Lelouch, Val\u00e9rie Perrin<br \/>\n<strong>Cinematography<\/strong>: Robert Alazraki<br \/>\n<strong>Film Editing<\/strong>: St\u00e9phane Mazalaigue<br \/>\n<strong>Original Score<\/strong>: Francis Lai<br \/>\n<strong>Produced by<\/strong>: Claude Lelouch (Les Films 13), Davis Films, JD Prod<br \/>\n<strong>Cast<\/strong>: Academy Award\u00a0\u00ae winner Jean Dujardin (Antoine Abelard), Elsa Zylberstein (Anna Hamon), Christophe Lambert (Samuel Hamon), Alice Pol (Alice Hanel)<strong><br \/>\n<\/strong><strong>International Sales<\/strong>: Davis Films<\/p>\n<p>In this slow-burning romance, charismatic leads Jean Dujardin and Elsa Zylberstein play opposites attracting in postcard India. Celebrated film composer Antoine arrives in Mumbai to record the music for a Bollywood take on\u00a0<em>Romeo and Juliet<\/em>. Already bored with the idea of scoring yet another \u201cmovie for festivals\u201d, the womanizing charmer sets his sights on Anna, the younger wife of the French Ambassador. Ever since his arrival, Antoine has been unable to shake a headache, exacerbated it seems by his much younger girlfriend, who keeps calling from Paris. Anna, on the other hand, is convinced that a child is the only thing missing from her relationship, and decides to go on a \u201cfertility pilgrimage\u201d to the holy city of Varanasi to commune with Amma, the \u201chugging saint.\u201d With his awards and his self-satisfaction, Antoine doesn\u2019t see the need for spiritual quests, but with his girlfriend\u2019s arrival a few days away, he\u2019s got some time to kill. And who knows, a motherly hug might be just the thing for that nagging migraine of symbolic import.<\/p>\n<p>Few filmmakers are more in love with the idea of being in love than writer\/director\u00a0<strong>Claude Lelouch<\/strong>. After six decades of filmmaking and five life partners, the 78 year-old veteran remains ever the hopeless romantic of French cinema. Lelouch forged that reputation beginning fifty years ago with\u00a0<em>A Man and a Woman<\/em>, a simplistic love story that earned him a grand slam of both the Palme d\u2019Or and the Foreign Language Oscar. If his overt sentimentalism confounded his New Wave cohorts, audiences felt no such ambivalence. Over the years he scored hits such hits as\u00a0<em>Les Mis\u00e9rables<\/em>\u00a0(1995), and the thriller<em>\u00a0Roman de gare<\/em>\u00a0(COLCOA 2008). Most recently his films have taken on a more autobiographical nature, with protagonists that are thinly veiled stand-ins for Lelouch himself, allowing him to explore themes of mortality and family ties. This is Lelouch\u2019s second collaboration with co-writer Val\u00e9rie Perrin, who worked with him on\u00a0<em>We Love You, You Bastard<\/em>\u00a0(COLCOA 2014).<\/p>\n<p>&nbsp;<\/p>\n<p>QUOTES:<\/p>\n<p>\u201cLelouch diehards will not be disappointed by this new spin on an old theme.\u201d<br \/>\n\u2013 Judith Prescott,\u00a0<em>French Cinema Review<\/em><\/p>\n<p>\u201c\u2026casts a certain spell with its touches of movie love, its elegant score by frequent Lelouch collaborator Francis Lai, and especially its central performances.\u201d<br \/>\n\u2013 Sheri Linden,\u00a0<em>Hollywood Reporter<\/em><\/p>\n<\/div>\n<div id=\"extras\" class=\"secondary\">\n<div class=\"uc\">\n<div class=\"box\">\n<div class=\"inner\"><\/div>\n<\/div>\n<\/div>\n<\/div>\n[\/vc_column_text][\/vc_column][vc_column width=&#8221;1\/2&#8243;][mk_image src=&#8221;http:\/\/dev.theamericanfrenchfilmfestival.org\/wp-content\/uploads\/2018\/02\/un-plus-une.jpg&#8221; image_size=&#8221;full&#8221; target=&#8221;_blank&#8221; margin_bottom=&#8221;30&#8243;][mk_image heading_title=&#8221;IN ASSOCIATION WITH&#8221; src=&#8221;http:\/\/dev.theamericanfrenchfilmfestival.org\/wp-content\/uploads\/2018\/02\/film13.jpg&#8221; image_size=&#8221;full&#8221; target=&#8221;_blank&#8221; margin_bottom=&#8221;30&#8243;][mk_image src=&#8221;http:\/\/dev.theamericanfrenchfilmfestival.org\/wp-content\/uploads\/2018\/02\/bank-west.jpg&#8221; image_size=&#8221;full&#8221; target=&#8221;_blank&#8221;][\/vc_column][\/vc_row]\n<\/div>","protected":false},"excerpt":{"rendered":"<p>[vc_row][vc_column][mk_padding_divider size=&#8221;20&#8243;][vc_column_text css=&#8221;.vc_custom_1518220803967{margin-bottom: 0px !important;}&#8221;] UN PLUS UNE [\/vc_column_text][mk_padding_divider size=&#8221;20&#8243;][\/vc_column][\/vc_row][vc_row][vc_column width=&#8221;1\/2&#8243;][vc_column_text css=&#8221;.vc_custom_1518203844145{margin-bottom: 0px !important;}&#8221;] U.S. Premiere \u2022 Romance \u2022 France, 2015 DCP \u2022 2.35 \u2022 Dolby 5.1 \u2022 Color \u2022 115 min Directed by: Claude Lelouch Written by: Claude Lelouch, Val\u00e9rie Perrin Cinematography: Robert Alazraki Film Editing: St\u00e9phane Mazalaigue Original Score: Francis Lai Produced by: [&hellip;]<\/p>\n","protected":false},"author":4,"featured_media":0,"parent":16,"menu_order":0,"comment_status":"closed","ping_status":"closed","template":"","meta":{"footnotes":""},"class_list":["post-1290","page","type-page","status-publish","hentry"],"_links":{"self":[{"href":"https:\/\/theamericanfrenchfilmfestival.org\/wp-json\/wp\/v2\/pages\/1290","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/theamericanfrenchfilmfestival.org\/wp-json\/wp\/v2\/pages"}],"about":[{"href":"https:\/\/theamericanfrenchfilmfestival.org\/wp-json\/wp\/v2\/types\/page"}],"author":[{"embeddable":true,"href":"https:\/\/theamericanfrenchfilmfestival.org\/wp-json\/wp\/v2\/users\/4"}],"replies":[{"embeddable":true,"href":"https:\/\/theamericanfrenchfilmfestival.org\/wp-json\/wp\/v2\/comments?post=1290"}],"version-history":[{"count":2,"href":"https:\/\/theamericanfrenchfilmfestival.org\/wp-json\/wp\/v2\/pages\/1290\/revisions"}],"predecessor-version":[{"id":1363,"href":"https:\/\/theamericanfrenchfilmfestival.org\/wp-json\/wp\/v2\/pages\/1290\/revisions\/1363"}],"up":[{"embeddable":true,"href":"https:\/\/theamericanfrenchfilmfestival.org\/wp-json\/wp\/v2\/pages\/16"}],"wp:attachment":[{"href":"https:\/\/theamericanfrenchfilmfestival.org\/wp-json\/wp\/v2\/media?parent=1290"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}