{"id":1160,"date":"2018-02-06T22:46:33","date_gmt":"2018-02-06T22:46:33","guid":{"rendered":"http:\/\/dev.theamericanfrenchfilmfestival.org\/?page_id=1160"},"modified":"2021-03-08T19:40:22","modified_gmt":"2021-03-08T19:40:22","slug":"like-crazy","status":"publish","type":"page","link":"https:\/\/theamericanfrenchfilmfestival.org\/2022-winners\/awards-2\/like-crazy\/","title":{"rendered":"LIKE CRAZY"},"content":{"rendered":"<div class=\"wpb-content-wrapper\">[vc_row][vc_column][mk_padding_divider size=&#8221;20&#8243;][vc_column_text css=&#8221;.vc_custom_1517960387468{margin-bottom: 0px !important;}&#8221;]\n<h2><strong>LIKE CRAZY<\/strong>\/ <em>Folles de joie<\/em><\/h2>\n[\/vc_column_text][mk_padding_divider size=&#8221;20&#8243;][\/vc_column][\/vc_row][vc_row][vc_column width=&#8221;1\/2&#8243;][vc_column_text css=&#8221;.vc_custom_1517957003196{margin-bottom: 0px !important;}&#8221;]<strong>Los Angeles Premiere \u2022 Drama, Comedy \u2022 Italy, France, 2016<\/strong><\/p>\n<p>DCP \u2022 2.35 \u2022 Dolby 5.1 \u2022 Color \u2022 116 min<\/p>\n<p><strong>Directed by<\/strong>: Paolo Virzi<br \/>\n<strong>Written by<\/strong>: Paolo Virzi, Francesca Archibugi<br \/>\n<strong>Cinematography:\u00a0<\/strong>Vladan Radovic<br \/>\n<strong>Film Editing<\/strong>: Cecilia Zanuso<br \/>\n<strong>Original Score<\/strong>: Carlo Virzi<br \/>\n<strong>Produced by<\/strong>: Birgit Kemner (Manny Films), Manuel Collas de la Roche (Lotus Productions), RAI Cinema.<br \/>\n<strong>Cast<\/strong>:<strong>\u00a0<\/strong><strong>Valeria Bruni Tedeschi\u00a0<\/strong>(Beatrice Morandini Valdirana),<strong>\u00a0<\/strong><strong>Micaela Ramazzotti\u00a0<\/strong>(Donatella Morelli),<strong>\u00a0<\/strong><strong>Bob Messini\u00a0<\/strong>(Pierluigi Aitiani),<strong>\u00a0<\/strong><strong>Sergio Albelli (<\/strong>Torrigiani)<br \/>\n<strong>International Sales<\/strong>: Bac Films Distribution<br \/>\n<strong>U.S. Distributor<\/strong>: Strand Releasing<br \/>\n<strong>U.S. Release Date<\/strong>: May 2017<\/p>\n<p>&nbsp;<\/p>\n<p>Actresses Valerie Bruni Tedeschi and Micaela Ramozzotti are at the height of their games as comically mismatched escapees from a mental institution. The story begins in a stately Tuscan villa converted into a retreat for unstable women. Beatrice (Tedeschi) is an entitled, manically motor-mouthed\u00a0compulsive liar. Donatella is a withdrawn depressive, deeply damaged by life. As much as Donatella dwells on the past, Beatrice lives for the moment, so when she sees an opportunity to get away from hospital staff, she seizes it, with Donatella in tow. The two hit the road on an outlaw odyssey that includes sexy cars, expensive dinners, fortunetellers, an ex-this and a former-that, and any manner of self-medicating, all without a Euro to scrounge between them. They aim to find happiness, but that turns out to be a tricky thing to nail down. Even a lighthearted jaunt in the Tuscan sun can take you to a deeper, more emotionally resonant destination.<\/p>\n<p>Known for comedies built around unhappy situations, writer\/director\u00a0<strong>Paolo Virzi<\/strong>\u00a0is a latter day torch-bearer for the\u00a0<em>Commedia all&#8217;italiana<\/em>\u00a0tradition. Virzi got his start as a screenwriter for features and television, often teaming up with childhood friend Francesco Bruni. The pair wrote Virzi\u2019s debut feature,\u00a0<em>La bella vita<\/em><em>,<\/em>\u00a0in 1994, which took the David di Donatello Award for Best New Director.\u00a0 Virzi has worked with both of his leading ladies before. Ramozzotti was awarded a Best Actress Donatello for her performance in Virzi\u2019s\u00a0<em>The First Beautiful Thing<\/em>\u00a0(2010). The film would go on to be Italy\u2019s entry for the Best Foreign Language Film at the 2011 Academy Awards. Valerie Bruni Tedeschi played a high-society housewife in\u00a0<em>Human Capital<\/em>\u00a0(2014), Virzi\u2019s adaptation of the Stephen Amidon novel about the 2008 financial crisis. Virzi\u2019s first English language film,\u00a0<em>The Leisure Seeker,<\/em>\u00a0starring Helen Mirren and Donald Sutherland, is set for completion in 2017.<\/p>\n[\/vc_column_text][\/vc_column][vc_column width=&#8221;1\/2&#8243;][mk_image src=&#8221;http:\/\/dev.theamericanfrenchfilmfestival.org\/wp-content\/uploads\/2018\/02\/world_cinema.jpg&#8221; image_size=&#8221;full&#8221;][mk_image src=&#8221;http:\/\/dev.theamericanfrenchfilmfestival.org\/wp-content\/uploads\/2018\/02\/like-crazy.jpg&#8221; image_size=&#8221;full&#8221;][mk_image heading_title=&#8221;In Association with&#8221; src=&#8221;http:\/\/dev.theamericanfrenchfilmfestival.org\/wp-content\/uploads\/2018\/02\/strand_releasing.jpg&#8221; image_size=&#8221;full&#8221;][mk_image src=&#8221;http:\/\/dev.theamericanfrenchfilmfestival.org\/wp-content\/uploads\/2018\/02\/bac-films.jpg&#8221; image_size=&#8221;full&#8221;][\/vc_column][\/vc_row]\n<\/div>","protected":false},"excerpt":{"rendered":"<p>[vc_row][vc_column][mk_padding_divider size=&#8221;20&#8243;][vc_column_text css=&#8221;.vc_custom_1517960387468{margin-bottom: 0px !important;}&#8221;] LIKE CRAZY\/ Folles de joie [\/vc_column_text][mk_padding_divider size=&#8221;20&#8243;][\/vc_column][\/vc_row][vc_row][vc_column width=&#8221;1\/2&#8243;][vc_column_text css=&#8221;.vc_custom_1517957003196{margin-bottom: 0px !important;}&#8221;]Los Angeles Premiere \u2022 Drama, Comedy \u2022 Italy, France, 2016 DCP \u2022 2.35 \u2022 Dolby 5.1 \u2022 Color \u2022 116 min Directed by: Paolo Virzi Written by: Paolo Virzi, Francesca Archibugi Cinematography:\u00a0Vladan Radovic Film Editing: Cecilia Zanuso Original Score: Carlo [&hellip;]<\/p>\n","protected":false},"author":4,"featured_media":0,"parent":628,"menu_order":0,"comment_status":"closed","ping_status":"closed","template":"","meta":{"footnotes":""},"class_list":["post-1160","page","type-page","status-publish","hentry"],"_links":{"self":[{"href":"https:\/\/theamericanfrenchfilmfestival.org\/wp-json\/wp\/v2\/pages\/1160","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/theamericanfrenchfilmfestival.org\/wp-json\/wp\/v2\/pages"}],"about":[{"href":"https:\/\/theamericanfrenchfilmfestival.org\/wp-json\/wp\/v2\/types\/page"}],"author":[{"embeddable":true,"href":"https:\/\/theamericanfrenchfilmfestival.org\/wp-json\/wp\/v2\/users\/4"}],"replies":[{"embeddable":true,"href":"https:\/\/theamericanfrenchfilmfestival.org\/wp-json\/wp\/v2\/comments?post=1160"}],"version-history":[{"count":3,"href":"https:\/\/theamericanfrenchfilmfestival.org\/wp-json\/wp\/v2\/pages\/1160\/revisions"}],"predecessor-version":[{"id":1194,"href":"https:\/\/theamericanfrenchfilmfestival.org\/wp-json\/wp\/v2\/pages\/1160\/revisions\/1194"}],"up":[{"embeddable":true,"href":"https:\/\/theamericanfrenchfilmfestival.org\/wp-json\/wp\/v2\/pages\/628"}],"wp:attachment":[{"href":"https:\/\/theamericanfrenchfilmfestival.org\/wp-json\/wp\/v2\/media?parent=1160"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}