\n<\/em><\/p>\n[\/vc_column_text][\/vc_column][vc_column width=”1\/2″][vc_column_text css=”.vc_custom_1663283237911{margin-bottom: 0px !important;}”]\nFICTION \/ DRAMA, EPIC, HISTORY<\/strong><\/p>\n[\/vc_column_text][vc_column_text css=”.vc_custom_1663825550108{margin-bottom: 0px !important;}”]\nPresented in Association with:
\n<\/span>Path\u00e9 Films
\nARP<\/p>\n[\/vc_column_text][mk_padding_divider size=”20″][mk_image src=”https:\/\/theamericanfrenchfilmfestival.org\/wp-content\/uploads\/2022\/09\/order-tickets.jpg” image_size=”full” link=”https:\/\/theamericanfrenchfilmfestival.eventive.org\/schedule\/6326716e2c834900b3655612″ align=”center”][\/vc_column][\/vc_row][vc_row][vc_column][vc_separator color=”custom” accent_color=”#ea1300″][\/vc_column][\/vc_row][vc_row][vc_column width=”1\/2″][vc_column_text css=”.vc_custom_1662221719664{margin-bottom: 0px !important;}”]North American Premiere<\/b><\/span> | France, Italy\u00a0|\u00a02022\u00a0| Drama, Epic |\u00a0110\u00a0min\u00a0|\u00a0In French with English subtitles <\/span>
\n<\/span>
\n<\/span>Directed by<\/b>:<\/span> Jean-Jacques Annaud<\/span>
\n<\/span>Written by<\/b>: <\/span>Jean-Jacques Annaud, Thomas Bidegain
\n<\/span>Produced by<\/b>: J\u00e9r\u00f4me Seydoux, Ardavan Safaee, Jean-Yves Asselin & Marie de Cenival (Path\u00e9 Films), Mario Giannini & Lorenzo Gangarossa (Wildside), Jean-Jacques Annaud (Rep\u00e9rage), Vend\u00f4me Production, TF1 Films Production. <\/span>
\n<\/span>Cinematography<\/b>: Jean-Marie Drejou<\/span>
\n<\/span>Film Editing<\/b>: Reynald Bertrand
\n<\/span>Original Score<\/b>: Simon Franglen<\/span>
\n<\/span>Cast<\/b>:<\/span> Samuel Labarthe (Fire Chief Gonthier),\u00a0Jean-Paul Bordes (Fire Chief Gallet),\u00a0Mika\u00ebl Chirinian (Laurent Prades), J\u00e9r\u00e9mie Laheurte (Assistant Chief Jo\u00ebl), Maximilien Seweryn (Sergeant Reynald), Garlan Le Martelot (Aur\u00e9lien), Dimitri Storoge (Captain Francis), Pierre Lottin (Lieutenant Alexandre)
\n<\/span>International Sales<\/b>: Path\u00e9 Films<\/span><\/p>\nJean-Jacques Annaud<\/b> delivers a riveting, action-packed, truly spectacular cliff-hanger of a disaster movie \u2014 filmed for IMAX, no less \u2014 recounting the real-life, devastating blaze that engulfed Notre-Dame cathedral on <\/span>April 15, <\/span>2019.\u00a0 Inventively intercutting original dramatic scenes of firefighters and emergency responders doing their thing, with digital effects, smartphone videos and archival news footage, Annaud <\/span>offers up a dazzling, blow-by-blow recreation<\/span> of that terrifying inferno. There are plenty of pyrotechnics and lots of production value, with real spires collapsing and molten lead gushing from the mouths of gargoyles.\u00a0 But it’s the courageous men and women risking their lives to battle that firestorm, against all apparent odds, who keep us on the edge of our seats and lodge that veritable lump in our throats. For a story whose outcome we all know only too well, it’s a real nail-biter!<\/span><\/p>\nVeteran filmmaker <\/span>Jean-Jacques Annaud<\/b> is a 1964 graduate of the IDHEC film school. He began his career directing TV commercials in the late ’60s and early ’70s.\u00a0 His very first feature, <\/span>Black and White in Color<\/span><\/i> (1976), nabbed an Academy Award as Best Foreign Film. He went on to win five C\u00e9sar Awards \u2014 for Best Film and Best Director for <\/span>Quest for Fire<\/span><\/i> (1982); Best Foreign Film for <\/span>The Name of the Rose<\/span><\/i> (1987), starring Sean Connery, which also nabbed a David di Donatello Award; and Best Director again for <\/span>The Bear<\/span><\/i> (1988). His other films include an adaptation of the Marguerite Duras autobiographical novel, <\/span>The Lover<\/span><\/i> (1992); <\/span>Seven Years in Tibet<\/span><\/i> (1997), starring Brad Pitt; <\/span>Enemy at the Gates<\/span><\/i> (2001), starring Jude Law; <\/span>Two Brothers<\/span><\/i> (2004); and <\/span>Sa majest\u00e9 Minor<\/span><\/i> (2007).\u00a0 In 2018, Annaud directed all ten episodes of the miniseries <\/span>The Truth About the Harry Quebert Affair<\/span><\/i>. The 26th American French Film Festival is proud to present <\/span>Notre-Dame On Fire <\/i><\/b>as its Opening Film, in its first screening to North American audiences.<\/span><\/p>\n[\/vc_column_text][\/vc_column][vc_column width=”1\/2″][mk_image src=”https:\/\/theamericanfrenchfilmfestival.org\/wp-content\/uploads\/2022\/09\/notre_dame_on_fire-466106897-large.jpeg” image_size=”full” frame_style=”gray_border” align=”center”][\/vc_column][\/vc_row][vc_row][vc_column][vc_column_text]\n[\/vc_column_text][\/vc_column][\/vc_row]\n<\/div>","protected":false},"excerpt":{"rendered":"[vc_row][vc_column][mk_padding_divider][vc_column_text css=”.vc_custom_1663687023939{margin-bottom: 0px !important;}”] NOTRE-DAME ON FIRE (NOTRE-DAME BR\u00dbLE) [\/vc_column_text][mk_padding_divider size=”20″][vc_separator color=”custom” accent_color=”#ea1300″][\/vc_column][\/vc_row][vc_row][vc_column width=”1\/2″][vc_column_text css=”.vc_custom_1664326209355{margin-bottom: 0px !important;}”] Monday, October 10 OPENING NIGHT GALA BY INVITATION – LIMITED TICKETS FOR SALE RENOIR & TRUFFAUT THEATRES\u2013 6:00 pm Followed by a conversation with writer\/director Jean-Jacques Annaud Friday, October 14\u00a0 FILM RERUN WITH BOX OFFICE RENOIR THEATRE – […]<\/p>\n","protected":false},"author":4,"featured_media":0,"parent":0,"menu_order":0,"comment_status":"closed","ping_status":"closed","template":"","meta":{"footnotes":""},"class_list":["post-11728","page","type-page","status-publish","hentry"],"_links":{"self":[{"href":"https:\/\/theamericanfrenchfilmfestival.org\/wp-json\/wp\/v2\/pages\/11728","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/theamericanfrenchfilmfestival.org\/wp-json\/wp\/v2\/pages"}],"about":[{"href":"https:\/\/theamericanfrenchfilmfestival.org\/wp-json\/wp\/v2\/types\/page"}],"author":[{"embeddable":true,"href":"https:\/\/theamericanfrenchfilmfestival.org\/wp-json\/wp\/v2\/users\/4"}],"replies":[{"embeddable":true,"href":"https:\/\/theamericanfrenchfilmfestival.org\/wp-json\/wp\/v2\/comments?post=11728"}],"version-history":[{"count":13,"href":"https:\/\/theamericanfrenchfilmfestival.org\/wp-json\/wp\/v2\/pages\/11728\/revisions"}],"predecessor-version":[{"id":13051,"href":"https:\/\/theamericanfrenchfilmfestival.org\/wp-json\/wp\/v2\/pages\/11728\/revisions\/13051"}],"wp:attachment":[{"href":"https:\/\/theamericanfrenchfilmfestival.org\/wp-json\/wp\/v2\/media?parent=11728"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}